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Friday, October 16, 2026
Lumen Club

Film Analysis: Sleaford Mods' Jason Williamson Assumes Character in Sceptical Examination at Ecstasy Generation Era

The work of Bristol sound co-founder Geoff Barrow, this sharp-edged if undernourished debut feature casts a critical gaze on 90s rave culture. Venal drug user David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Poacher denying his container of cider, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Vibe

There is only one important plot development, but it leads to a comically executed rampage on the forest trails that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film releases in British and Irish cinemas from 17 November.

Written by

Dorothy Keller

Elara is a freelance photographer and visual artist specializing in natural light techniques and urban landscape photography.

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